A Story about the Melody of the Torah
Two months ago I wrote about
the importance of maintaining a connection to the musical traditions of the
service. This month I would like to share a story written by Eliezer Cohen about the importance of the musical tradition
of Ta’amey Hamikra or
Trope, which is used to chant the Torah, Haftarot and
Megilot. It also gives me an opportunity to pitch for
you to become one of our congregation’s Baaley Kriah, Torah readers.
I am very proud of the fact
that we are one of the few conservative congregations in the
The ta’am
(melody) that the Torah is chanted in is a very old and special melody. It has
been handed down from generation to generation. Its roots are very deep. They
are found in the mystical teachings of our religion. Sometimes people want to
be innovative, to create a new melody. The following story is just that.
Once, there was a secularist
who was very good friends with the Rav of the city.
Even though this secularist differed in opinion from his traditionally
observant friends, he still visited his old friend, the city Rav, on a regular weekly basis. On one visit, the
secularist began to complain to the Rav about the
unchanging ways of Traditional Jewry.
“... And why can’t they
update the tune to which the Torah is chanted?” the secularist objected. “How
many years can you continue with the same old tune? Especially today when so
many new and beautiful musical tunes and melodies are being brought into the
world and the shul by inventive and creative
composers and cantors. Answer me that!” he demanded of the Rav.
“I’ll have to think about it.
Maybe you have a point. Perhaps next week I’ll be able to answer you, but for
now could you do me a big favor? I’m short of money and if you could loan me 50
rubles, I’ll pay you back next week.” “Of course,” the secularist said, honored
that the Rav would ask him for a loan. He reached
into his purse, “here, take this!” He handed over the money that the Rav requested. Thanking him warmly, the Rav
escorted him to the door and bid him farewell.
The next week the secularist
came at his customary tea time and sat with the Rav,
chatting amicably in the parlor. As the time pressed on, the
secularist felt uncomfortable because the Rav had not
offered to return him the money that he had lent to him so willingly and without
a note. Finally as the secularist began to leave, he turned to the Rav and said: “Par
“I borrowed 50 rubles
from you?” was the Rav’s surprised reply.
“Yes,
“I borrowed 50 Rubles from you?”
the Rav responded with indignation.
“But the Rav
promised to return the money to me today, and now you are denying that you even
borrowed the money!” the secularist cried out in pain at the Rav’s breach of faith and denial of the loan.
“I borrowed 50 Rubles
from you?” the Rav raised his voice is dismay.
“Yes! How can you deny the
good deed I did, loaning you the money. Don’t you remember we were chatting
about the same old tune that has been used for the Torah reading for so many
years? You said perhaps you would give me an answer this week and then you
asked to borrow 50 rubles. And now you deny it!
“Who me? The Rav asked as he broke
into a gentle grin, “I’m not denying anything, I said “I borrowed 50 Rubles
from you” I just changed the tune of my statement!
“Don’t let anyone fool you;
it’s the tune which gives the meaning to the words!”