Liturgy: An anchor to the past or a sail into the future.
What is liturgy? Liturgy is, broadly, a description of the drama of worshipping God.
After reading an article “on line” about Jewish prayer, I added some of my own thoughts
to it and offer it to you for your consideration. Liturgy is not just the words that are
recited, whether fixed or spontaneous, it also includes the actions and the occasions for
the worship. Liturgy is in some ways akin to a screenplay, but just as screenplays have
differing degrees of flexibility in the hands of different directors, so do different liturgical moments.
Judaism has a broad range of liturgy: Worship in formal prayer in a synagogue at one of the
appointed times is only one kind of Jewish liturgical expression, and it is not even the most
common. The most common liturgical moments are the occasional blessings that a person recites
upon performing certain commandments. Rituals such as wedding ceremonies, Funerals, the Passover Seder,
Brit Milah, and putting up a mezuzah on the doorposts of a new home, are all liturgical activities
that have their own choreography and texts. The basic challenge of liturgy is that, on the one hand,
we expect conversation with God to be intimate and real and spontaneous, as one might speak with a
parent; on the other hand, we approach God with the images of royalty, and royalty has a defined and
fixed protocol.
Jewish law defines a requirement of three daily prayers with set liturgies, and it is very difficult
to be spontaneous on a schedule with a familiar text. Through our history, Jewish liturgy has swung
back and forth between these poles of the spontaneous versus the fixed. On the side of fixed prayer
are the established texts that have been used for centuries: the Siddur for daily prayer, the Machzor
for prayer on the High Holidays and Festivals and the Haggadah for the ritual of the Passover Seder.
On the spontaneous side are the new Siddurim, machzorim, and haggadot that are continually published,
along with the new commentaries, poetry, and melodies that are designed to accompany them, and the entire
area of private, personal prayer.
Compare Jewish liturgy to music to its accompanying music. Different Cantors can sing identical notes
off of the same sheet of music, but produce startlingly different musical experiences. Alternatively,
some Cantors would not consider a piece of music "their own" without adding personal embellishments.
Some Cantors need the whole service musically planned out (fixed), while others can take the short
melodic motives of Nusach, improvise and produce an entire performance (spontaneous). Similarly, some
Jews can personalize the traditional texts of the liturgy simply by focusing their own associations
and emphases differently, while others need to modify the prayers in different ways in order to "own"
the experience.
How does one make an ancient liturgical text "new and relevant"? Until modern times, each generation
would supplement the traditional text; occasionally, materials would drop out, but the overall works grew.
In modern times, editors subtract, add, and substitute, sometimes creating new materials and sometimes
restoring materials "lost" to tradition. Prayers are also changing as a result of differing theological
concerns. Finally, new liturgical texts have been published that include modern commentaries or
different aesthetic changes that make the texts more user-friendly. Learning about Jewish liturgy
can provide tremendous insight into how Judaism thinks about all kinds of issues, but liturgy is
really about engaging God. Learning about the texts and putting them to use is only the first step.